- Paul Graham, Burning fields, Melmerby, North Yorkshire, september 1981
- Paul Graham, Great North Road Garage, november 1981
- Paul Graham, Looking North, Nawcastle by-pass, Tyne and Wear, november 1981
- Paul Graham, Hedge in wind, Bedfordshire, june 1982
- Paul Graham, Interior, Rainton services, North Yorkshire, november 1981
- Paul Graham, Young Executives, Bank of England, London, november 1981
- Martin Parr, England, New Brighton, 1983-1985
- Martin Parr, New Brighton , 1983-1985
- James Barnor, Margaret Obiri-Yeboah, a friend of James Barnor outside the Sick Hagemeyer store, Accra, c. 1972
- James Barnor, Breakfast with Roy Ankrah aka “The Black Flash”, Accra, c. 1952–53
- FLORE, Un jardin pour Eugène D. #10, 2022
- FLORE, Un jardin pour Eugène D. #02, 2022
- FLORE, Un jardin pour Eugène D. #06, 2022
- FLORE, Un jardin pour Eugène D. #08, 2022
- FLORE, Un jardin pour Eugène D. #09, 2022
- Guillaume Zuili, Mighty Shadow, 2022
- Guillaume Zuili, Bank Of America Palm Springs , 2022
- Guillaume Zuili, Sun JT 011, 2022
- Juliette Agnel, Geode de Pulpi, 2021
- Juliette Agnel, La main de l’enfant #23, 2023
- Thomas Klotz, New URL, 2017
The artists selected by Galerie Clémentine de la Féronnière for Paris Photo 2023 question the reciprocal relations between humans and the territory they inhabit. This appropriation of the territory by the one traversing it circles back to the figure of the photographer, a reminder of the photographic act's direct connection to reality.
Selected works from Paul Graham's A1 series are in dialogue with exceptional, large format vintage prints from Martin Parr's series The Last Resort. Thomas Klotz presents Peripheria, an exclusive project, and James Barnor closes this chapter, which highlights the tenuous link between territories and social realities.
With Guillaume Zuili, the exhibition addresses the inevitable incursion of the living into the urban space. A notion approached by FLORE with Un jardin pour Eugène D., an enclosed and singular space in the heart of Paris. Finally, Juliette Agnel's La main de l'enfant, first shown at the Rencontres d'Arles 2023 and invoking telluric forces, fixes the traces of the first civilizations.
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