- Martin Parr, The Queen visiting the Draper's Livery Hall on their 650th Anniversary, 2014
- Juliette Agnel, Taharqa et la nuit #4, 2019
- Juliette Agnel, Taharqa et la nuit #6, 2019
- Juliette Agnel, Porte III, 2018
- FLORE, Esquisse pour une estampe chinoise, 2022
- FLORE, La lune lune, 2022
- FLORE, Le singe d'Émilie Pascal, 2022
- Carolle Bénitah, La Communiante, 2019
- Carolle Bénitah, Toto à 7 mois, 2019
- Carolle Bénitah, Quatre sœurs, 2019
- Anne Rearick, Shameless Hotel, Kuna, Idaho, 2017
- Anne Rearick, Sisters, Saint-Jean-Pied-de-Port, France, 1990
- Anne Rearick, The Girls, Eagle, Idaho, 2013
- Guillaume Zuili, Cactus Junction, 2022
- James Barnor, Muhammad Ali preparing for his fight against Brian London (Trainer Angelo Dundee and coach Eddie Futch), Earl's Court, London, August 1966, 1966
The stand consists of a collection of important works, most of which have never been shown before. A previously unseen print by James Barnor, whose work is being exhibited at LUMA Arles in 2022, accompanies a selection of recently rediscovered vintage prints. The historical importance of his work is matched by the vernacular photography of Martin Parr, who exhibits a large colour prints and officially joins the gallery artists.
In parallel, the stand presents works by Juliette Agnel, notably her Portes de glace, silhouettes of icebergs drawing the threshold of a forgotten kingdom, as well as works produced specifically for Paris Photo: Guillaume Zuili's timeless Lith prints, FLORE's poetic journey in the footsteps of Marguerite Duras, Carolle Bénitah's moving family portraits... Images full of humanity by Anne Rearick and Thomas Klotz complete this panoramic picture of the artists represented by the Clémentine de la Féronnière gallery.
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